User Contributed Dictionary
Verb
bamboozled- past of bamboozle
Extensive Definition
Bamboozled is a 2000 satirical film written and directed by
Spike
Lee about a modern televised minstrel
show featuring black
actors donning blackface makeup and the
violent fall-out from the show's success. The word "bamboozled"
means "purposefully confused, tricked or led astray". The film was
given a limited release by New Line
Cinema during the fall of 2000, and was released on DVD the following
year.
Overview
The content is intended as satirical, with its show within a show featuring its characters, all in blackface, performing in a watermelon patch. The Roots, a hip-hop band from Philadelphia, have a role as the show's house band, The Alabama Porch Monkeys. The audiences within the movie, initially baffled, come to love the show, and after a few episodes even elderly white women show up in blackface and proclaim themselves "niggers".The script expresses rage and grief at media
representations of black people, largely through the eyes of its
moral center, Sloan Hopkins (played by Jada
Pinkett Smith). It also satirizes many icons of black culture
including Ving Rhames,
Will
Smith (real-life husband of Jada Pinkett Smith), Johnnie
Cochran, and Al Sharpton
(Cochran and Sharpton appear as themselves in the film, protesting
the television series).
The movie also stars Savion
Glover as "Manray" (stage name Mantan, after Mantan
Moreland), Tommy
Davidson as Womack (stage name Sleep n' Eat, after Willie Best),
Thomas
Jefferson Byrd as Honeycutt, and Mos Def, Canibus, MC Serch and
Charli
Baltimore as four of the activist/hip hop group The Mau Maus. Mos
Def's character, who calls himself "Big Blak Afrika" (refusing to
spell the word "black" with the "c" because "they don't even
pronounce that shit!") is also Sloan's unemployed older brother,
Julius.
Synopsis
Pierre Delacroix (stage name for Peerless Dothan), played by Damon Wayans, is an uptight Harvard-educated black man who speaks in a nasal voice, working for a television network that routinely rejects his proposals for what he sees as intelligent shows involving black people. He is further tormented by his boss Thomas Dunwitty (played by Michael Rapaport), a tactless, boorish white man who proudly proclaims that he is more black than Delacroix and that he can use the word "nigger" since he is married to a black woman.Facing the necessity of either coming up with a
hit black-centric show or being fired, Delacroix decides to aim for
the latter. If the network fires him, he rationalizes, it will
release him from his employment contract, allowing him to seek work
at another network. With help from his personal assistant, Sloan
Hopkins (played by Jada
Pinkett Smith), Delacroix decides to pitch a minstrel
show, complete with black actors in blackface, in the belief that
the network will reject such over-the-top racism and fire him on
the spot.
Delacroix and Hopkins recruit two impoverished
street performers, Manray and Womack, to star in the stage show.
While Womack is horrified when Delacroix tells him about the show,
his best friend Manray willfully agrees to star in the show, seeing
it as his big chance to become rich and famous.
To Delacroix's horror, not only does Dunwitty
enthusiastically endorse the show, it also becomes hugely
successful. Manray and Womack become big stars while Delacroix,
contrary to his original stated intent, defends the show as being
satirical. Delacroix quickly embraces the show and his newfound
fame, while Sloan becomes horrified at the racist nightmare she's
helped to unleash. In the meantime, a frustrated rap group called
the Mau Maus, led by "Big Blak Afrika" (Mos Def) become
increasingly angry at the content of the show, and plan to use
violent criminal action to express their disapproval. Eventually,
Womack finally has enough of the show and its racist nature, as
well as Manray's increasing ego due to his new-found stardom and
quits after a heated argument with Manray. This causes Manray and
Sloan to grow closer, which angers Delacroix. Delacroix tries to
break up Manray's relationship with Sloan by accusing her of
sleeping with Manray to further her career. Then Delacroix reveals
that Hopkins only got her position as his assistant by sleeping
with him (Delacroix).
The move backfires and drives Manray and Sloan
even closer together. Sloan creates a tape of offending racist
footage culled from assorted movies, cartoons, and newsreels to try
to shame Delacroix into stopping production of the show, but he
refuses to view the tape. After an argument with Delacroix over all
these differences, as well as realizing he is being exploited,
Manray defiantly announces that he will no longer wear blackface.
He appears in front of the studio audience during a TV taping and
does his dance number in his regular clothing. The network
executives immediately turn against Manray, and Dunwitty personally
fires him from the show and throws him out of the studio.
After the studio kicks Manray out, Sloan's
brother Julius aka Big Blak Afrika and the Mau Maus kidnap him.
They then announce a plan to publicly execute Manray on a live
internet webcast. The authorities work feverishly to track down the
source of the internet feed, but Manray is assassinated (as a sort
of sacrificial figure at his death). The police quickly catch The
Mau Maus, shooting them down in a hail of bullets. They leave only
one survivor, a white member known as "One-Sixteenth Black", who
tearfully proclaims that he is "black" and demands to die with his
groupmates instead of being arrested. Furious, Sloan confronts
Delacroix at gunpoint and demands that he watch the tape she
prepared for him. Delacroix refuses and tries to get the gun, but
is shot in the stomach. Sloan, horrified, flees while proclaiming
that it was Delacroix's own fault that he got shot. Delacroix,
after positioning the gun to make the wound appear self-inflicted,
watches the tape as he lies dying on the floor.
The film concludes with a long montage
of racially insensitive and demeaning clips of black characters
from Hollywood films of the first half of the 20th century. Among
the films used in the sequence are The
Birth of a Nation,
The Jazz Singer,
Gone with the Wind, Babes
in Arms, Holiday
Inn, Ub
Iwerks' cartoon Little
Black Sambo, Walter
Lantz's cartoon
Scrub Me Mama with a Boogie Beat, the Merrie
Melodies short
All This and Rabbit Stew, and, from the Hal Roach
comedy
School's Out, Our Gang (Little
Rascals) kids
Allen "Farina" Hoskins and
Matthew "Stymie" Beard.
Film production
Most of the movie was shot on Mini DV digital video using the Sony VX 1000 camera. This kept the budget to $10 million USD. The "Mantan Show" sequences are shot in Super 16 film stock, which makes them appear to have a vastly more digestible look than the rest of the film.See also
- Mau Mau (disambiguation)
- Color Adjustment - a documentary film by Marlon Riggs about the portrayal of blacks in television
External links
bamboozled in French: The Very Black Show
bamboozled in Italian: Bamboozled
bamboozled in Polish: Wykiwani